I was a little nervous to start reading a Stephen King book. I am not a fan of horror, so have always shied away from his books, despite Delores Clayborn being one of my all-time favorite reads and having liked Eyes of The Dragon a few years ago.  I was therefore pleasantly surprised by the first part of this book, which is the set up for the actual adventure that comes fairly deep into the book.  This set-up portion of the book is exquisitely written, developing characters with depth, describing their friendships and interactions with so much detail and nuance that I was really sucked into the story before any of the fantasy part even started.

Unfortunately, once the actual adventure story starts, the narration lost me.  This was in large part because of the way in which the narrator describes the many people he encounters who have disabilities or disfigurements.  From blind and Deafness, to Dwarfism, to many others, the ableism and stereotypes that he employs in his descriptions of these characters shows such a lack of understanding of what it is to live with a disability that I could not suspend my disbelief and judgment.  He spends an exorbitant amount of time comparing and ranking their conditions, while at the same time saying things like: "Dissing disabled people is crap behavior even if they are an asshole."  As if having a a disability means that you should be coddled and pitied and given a pass for being a terrible human being.    As if that attitude is respectful of people with disabilities instead of a reflect of their dehumanization and othering.  

​Not recommended.

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An elaborate modernization of Animal Farm, this book creates a world of sentient, talking animals in a fictionized African country as it flows from being colonized to an oppressive regime to complete chaos after the dictator is driven out. I think it is technically supposed to be an allegory, but it just feel too obvious, with the parallels too similar to the current world.  With situations and even language that clearly is lifted from real life current oppressive regimes, fascist leaders, and bigoted politicians from around the world, I thought it lacked nuance and was just force feeding us the analysis instead of letting the reader do any independent thinking or analogizing.  This, plus it used a literary tool in which the same words or short phrase was repeated over and over again--so much so that it became an irritant. This may not have been so aggravating in a paper book where your eyes could skip over the 2 minutes of repetition, but in an audio book, it was just distracting and it was so many times. It felt gimmicky, even if it was obviously being done to make a point.  The point was just too obvious.
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Not recommended.

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This is a lovely short book that follows up on the author's wildly successful book, Braiding Sweetgrass.  I have heard the criticism that despite the
indigenousness of the author that the books are written for a white audience and this may be true, but as the white audience I have to say that I loved both of them.  This one in particular talks about an ecology economy and the meaningfulness of a gift economy and of investing in community.  Whether this is because you want the benefits that come from gifting, in terms of the emotional connections, the furthering of your values, or even indirect marketing of your business, an economy that incorporates gift giving and receiving should not be underestimated. 
There were a couple of themes that particularly resonated for me.  First, wealth is not what you have, but what you give away and, second, if there isn't enough of what you want, then want something else.  Aren’t those just lovely ideas that you want to file away and remember? 

Recommend.

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This was the perfect book to fall asleep listening to. It wasn't so much that it was boring, as that the cadence of the narration is very soothing.  The author employs a writing technique in which he makes long lists of things, often the latin names for plants or animals, that might interest the hardcore biologist and botanist enthusiasts, but I found lulled me to sleep, like a lullaby.  In fact, I would listen to the same chapter several nights in a row, having not made it to the end of even one chapter before I drifted off to sleep.  I would like to say that the book was light and pleasant, as he describes at length the natural spaces that he is so drawn to--and there is something compelling about how much he loves these spaces and wants to make sure they are preserved--and yet the racism of 1901 finds its way into a world it has no business being.  This is in addition to the complete exclusion of women from the narrative in any meaningful way.  All said, I just can't recommend it.

​Not recommended.

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Another post-apocalyptic novel, which really seems to be disproportionately recommended in recent times, this one was extremely graphic in depicting gratuitous violence. This was oddly juxtaposed against explicit descriptions of sexual encounters.  I was disappointed that I did not like it more since the premise of the futuristic world felt well thought out and plausible, though incredibly depressing. 

Set in the dessert of the American southwest, the complicated backstory includes litigation over water rights, complicated interpersonal dynamics, lots of characters with compelling and believable backstories, and  a nuanced world created with attention to details that I really liked.  Ultimately, while there was a lot to like in the story, I really disliked the violence, which I did not think was needed to advance the story and which reflected a deterioration of human decency at a level that was just too dark for me.  I found that I couldn't listen to this unless I was in the right frame of mind and definitely not before bed.  

Not recommended.
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