This is a multigenerational story that centers around Leonora, whose marriage has dissolved, as she decides to move to her birthplace in Venice after growing up in England in an attempt to learn the masculine-dominated art of glassblowing on the island of Morano. As we move between generations, a complicated story of love, betrayal, business, and artistry intertwine as the story comes together to fill in Leonora's family history. Overall, a really good read about the art, history, and culture of the area.

Recommend.

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Set in 1962 Ireland, this is a marginally interesting period piece that recounts the bleak existence of a small town second-generation doctor and his adult spinster daughter who "keeps house for him."  Living under the rigidity of the Catholic Church and a cloud of grief since the death of the doctor's wife and the daughter's mother, the first three parts of the story drag on with detailed descriptions of mundane events that I suspect "real" lovers of literature find beautiful and enthralling.  I got all the way to part four and realized that only about two or three weeks of time had passed in the storyline. 
 
By Part Four, a few things happen.  We meet another character, whose life is also dismal.  A young teen, his father is an alcoholic and his mother the kind of run down and sad that comes from a lifetime of being dependent on alcoholics. The poverty and pain of the story continues on until the Time of The Child.  At this point, well into the last part of the book, the plot seemed to begin.
 
Now, I am not saying the book isn't well crafted or that it wasn't at times informative of an historical period in a place that is often ignored, but I am saying that it was boring and those things weren't enough to pull me along.
 
Not recommended.

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This is a classic murder mystery set in Venice after a fictious renowned conductor is killed in the famous Opera House before a show.  The book is a solid read, with good plotting, character and scene developments, and writing.  An ending that nicely tied up loose ends gets it bonus points, along with a little nod to the complexity and nuance of childhood traumas.  I really enjoyed it and it is the perfect read for a trip to Venice.

Recommend.

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This is quite possibly the worst free audible book I have ever encountered--and I have suffered through some pretty terrible ones.  This one, though, in addition to being a trite story without much character development or meaningful plot, had the added of what is being called a "Virtual Voice" reader.  Now, I have used a voice to text function off and on since before the turn of the century and I have never had an issue with listening to a computerized voice reading to me, but this voice was irritating AF.  It don't know if the programmer was trying to make it sound romantic or what, but it sounded like an uneducated community theatre audition read where she doesn't know when the script says "record" as in the thing you put on a turntable to play and "record" as to use a digit device to capture someone's voice. She also had no idea how to pronounce words like "​testasterone." It was so distracting to have this weirdly breathy voice reading the dialogue in the same way the prose, substituting in the wrong words, and never coming up for air or emotion.

Do not recommend.

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This is a sequel to My Name is Lucy Burton, which I read as part of my 2017 reading challenge. That was a year when I had categories of books that I was reading from and I can't remember which category this fulfilled.  I had trouble finding books to fill those lists the few years that I did that and started asking for recommendations, which is how I ended up ditching that list and just taking recommendations for my yearly booklist. 
In any event, I did not write reviews back then, so I decided to reread My Name Is Lucy Barton after reading the first chapter of this book in order to remember the backstory.  In retrospect, this wasn't necessary to appreciate this story, but it did help connect many of the relationships in the book.
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And there are a lot of relationships in this book.  There are a ton of characters and the history between them is complicated. I often felt like I do when I visit friends in a close-knit community or try to join a new group of people who have been tight for a long time.  There are all these backstories that touch on each other and it is hard to keep up with how they all touch on each other.  This makes the details of the book hard to keep track of and sometimes I would be well into a new storyline before I realized these were the same people from another storyline. In many ways, this is the magic of this series. It really makes you feel what Lucy Barton's small town life with judgy, hurtful people was like--and not just for her.  Those who bullied her, those who were indifferent to her, and those who saw and helped her in big and small ways are all portrayed sometimes in sympathetic ways, sometimes not, and most often in both ways at the same time. 

There is so much depth here, so much hurt. Child sex abuse and sexual assault play prominent roles as they play out in families and relationships in ways that fill in the backstory for many characters. It is the story of kids who were bullied and kids who did the bullying and kids who were both bullied and did the bullying and how this plays out in their adult lives.  The emotion of childhood trauma, indeed sometimes of torture, is on painful display here--told with a perspective that conveys deep empathy for the damage done and the damage done to the people caused the damage.  It is heart-wrenching the whole way.

Recommend.

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Having known nothing about Herbie Hancock other than the heavily electronic version of Rock It from my childhood, I was surprised by a lot of this memoir and I can image that for someone interested in jazz, jazz fusion, and the evolution of electronic music and particularly synthesizers, that this book would be fascinating.  I learned a lot about these topics, despite what might be surprised as a lack of general interest in them, which is one of the great things about reading in general.  Hancock's background in engineering, touring with Miles Davis, and general likeability made for good storytelling, even if it sometimes fell into the name-dropping trap that I often find so irritating in these types of memoirs. 

I will say that I found his lack of political engagement to be disappointing, especially considering the opportunities and relationships that he had connection to. The parts of the book where he wrote about his struggles with addition to crack cocaine were probably the most moving, but his repeated discussion of his Buddhist chanting practices reminded me of Tina Turner's memoirs (My Love Story and Happiness Becomes You) in terms of leaving me with a sense of superficiality.

I am definitely see what others love about this book, but I think I expect more emotionality from a memoir like this unless I have an independent interest in the historical topic.

Not recommended--unless you are a music or jazz lover, then I would recommend it for you.

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​By the author of Midnight in the Garden of Good and Evil, this is a captivating read about Venice, particularly in the context of the fire that destroyed La Fenice Opera House in the late 1990s.  While to a large extent focused on who started the fire and why, this book branches out from the main storyline in interesting ways, painting a detailed portrait of a unique city. Filled with politics, culture, history, and, of course, an unsolved mystery, I loved not only the exquisite writing, but the interviews and depicts of people.  Instead of being a distraction, the side stories were just as interesting as the main fire plot.

Highly recommend.

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I have to say that I just love a good time travel book and this is a spectacularly good time travel book.  With a complicated plot, rich characters with depth, and a fairly believable world, the story is captivating and I did not want to take a break from it.  I particularly loved how much time I invested in trying to keep track of the loose ends and the satisfaction I had as they all came together as the story enfolded in an interconnected and unexpected way.

​The foreshadowing was there, so that the ending came together smoothly, but not so much so that it was predictable or trite.  I also love a book in which friendship is the at the center of the story and this book developed many storylines around friendships, some of them particularly sweet, though perhaps unconventional.  The relationship between the protagonist Cass and her grandfather is melancholic and haunting, but so endearing.  You'll need space in your life to really pay attention to the details, because there is a lot going on that you will want to keep track of as the story unfolds. 

And I have a soft spot for books that take place in bookstores and libraries and this has the added benefit of having both of those.

And extra bonus points for the unexpected Oregon connection.
 
Highly recommend.
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This has been an eclectic year of recommendations, with more horror than I have ever read, but also more really sweet novels that are just heart warming, lovely, light reads.  This is one of the latter. Even the book cover reflect the soft care that I felt when reading it.

A group of intertwining stories set in Japan in which people unhappy with their lives find themselves at the library getting lists of books from the quirk, eccentric librarian, who also felts small knickknacks that she gives away.  The book lists always include a recommendation that seems unrelated to the inquiry, but ends up being part of the recipe people need to transform their lives. 

It is a fun and delightful concept book. I found it to be slightly longer than was necessary to make and develop the project, such that I finished the book a little bit bored in a way that I wasn't through most of it. Like binge watching a good show that has a simplistic formula, if I had read it more slowly, I might have found this to be an endearing and comforting quality.

Not not recommended.

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Louise Erdrich does not disappoint in this sweet novel about a book lover with complex relationships, searching for family, while being haunted by her past and the past of others. It is complex, but I was easily drawn into the layers of stories.

And what booklover does love a book that talks about books and drops the names of titles like they are celebrities? Set in a bookstore to a large extend, I particularly loved that this was perhaps the first novel to incorporate the pandemic into its storyline and it was done exquisitely, with such emotional detail. 
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I just really loved this story.

Highly recommend.

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