Another murder mystery, of which I seem to have had a lot more this year than usual, there is a lot to like in this story.  Set in a remote location at the destination of a successful tv star and a magazine editor, the story is told from multiple pointsof view, which narrators being more and less reliable, revealing all the hidden motives and guarded secrets they have in small bits as the story unfolds.  These back stories set the stage for the conflicts that arise, but the biggest secrets are held back and keep you guessing as more and more people have reason to murder others at the party and you don't know until the end who is murdered, let alone who did it. I really liked the story and thought it was cleverly written and the unusual format which could have felt gimmicky actually flowed really well. I will say that there was one too many backstories and as the last one played out, my willingness suspension of disbelief was pushed a little too far. It just felt too unlikely that the person with the least connect to the main circle of people just happened to have had motive to kill one of the other guests because of a connection that neither was aware of and that unfolds with way too much coincidence.  It did add a layer of extra cleverness and it was woven into the story early on in a way that made it all make sense when it came together, but really it just seemed so unlikely to have been possible that it distracted from an otherwise really tightly plotted story. Even with that, I am giving it a soft recommendation.
Recommend
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I understand that this nearly 1,000 page book is revered as brilliant and that the author has received the Nobel Prize for Literature for another novel.  I know that many intelligent people think the book is amazing. I, however, feel like it was pretty much lost on me.  I found it a slog, pedantic, male-centric, and frankly boring.  Yes, some of the historical pieces were mildly interesting, but I have decided that I do not find 18th century Poland particularly enthralling.  Sometimes, it felt like the descriptions would never end and that the plot was a very long ways away from the words I was reading.  Other times, some of the narrative would pull me in, particularly the portions that compared the Jewish protagonist's exploration of other communities. But, those parts were short lived and almost as soon as I realized I was engaged, the moment would be gone and I would return to feeling that this book was just too heady for me.


Do not recommend.

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This is a fabulous murder mystery that I can't stop thinking about.  It is so well written, the characters are so richly developed, and the plot is delightfully complicated that I am seriously contemplating reading it a second time.  Set across time from 1961 to 1975 as they investigate an old murder and a new disappearance, the complexity of interpersonal dynamics and histories just pulled me in, all the time being filled with red herrings and twists, as the investigation proceeds. The standout character is the young woman detective no one takes seriously and the ending just reinforced how much I loved her.  I found the portrayal of sexism and elitism to be well portrayed, ever present, without having it be the sole focus of the story--reminding me of how even during my younger years it was so pervasive we often accepted it without noticing at all. Did I mention the ending of this book was so good? So often these complex stories have predictable, unrealistic, or just stupid endings that don't hold together, but this one was right on point.
Highly recommend.

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This is the first Brian Sanderson book that I have read that I did not hate.  I was fully prepared not to like it, but it turns out that it was pretty clever.  The fantasy world was fascinating, with the ocean of something-not-water, the talking rat, and the hexes. The main character, a young woman, is constantly underestimated by everyone ,including herself, and my favorite plot twist was a brilliant strategy she came up with to out-maneuver another character and foil their evil plot.  I didn't see the twist coming and I was just so impressed with how she turned the situation on its head, all while realistically suffering from imposer syndrome and working her way up from the very lowest position on a boat of pirates.  Despite my traditional dislike of the Sanderson books, I am going to give this one a recommend.

Recommend.
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I somehow missed that there was not just one, but two new Hunger Games books and a new movie since I last visited this series.  What a treat it is to read a series where the books hold up on their own and don't invite a cliffhanger so you have to get the next book to feel a sense of closure.  Both of these books, which are prequels to the original trilogy, were really well down and worth reading.  I love that we aren't spoon fed the analogies to modern politics, but the complexity of the relevance is nevertheless there.  

Highly recommend both of these.

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I was a little nervous to start reading a Stephen King book. I am not a fan of horror, so have always shied away from his books, despite Delores Clayborn being one of my all-time favorite reads and having liked Eyes of The Dragon a few years ago.  I was therefore pleasantly surprised by the first part of this book, which is the set up for the actual adventure that comes fairly deep into the book.  This set-up portion of the book is exquisitely written, developing characters with depth, describing their friendships and interactions with so much detail and nuance that I was really sucked into the story before any of the fantasy part even started.

Unfortunately, once the actual adventure story starts, the narration lost me.  This was in large part because of the way in which the narrator describes the many people he encounters who have disabilities or disfigurements.  From blind and Deafness, to Dwarfism, to many others, the ableism and stereotypes that he employs in his descriptions of these characters shows such a lack of understanding of what it is to live with a disability that I could not suspend my disbelief and judgment.  He spends an exorbitant amount of time comparing and ranking their conditions, while at the same time saying things like: "Dissing disabled people is crap behavior even if they are an asshole."  As if having a a disability means that you should be coddled and pitied and given a pass for being a terrible human being.    As if that attitude is respectful of people with disabilities instead of a reflect of their dehumanization and othering.  

​Not recommended.

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An elaborate modernization of Animal Farm, this book creates a world of sentient, talking animals in a fictionized African country as it flows from being colonized to an oppressive regime to complete chaos after the dictator is driven out. I think it is technically supposed to be an allegory, but it just feel too obvious, with the parallels too similar to the current world.  With situations and even language that clearly is lifted from real life current oppressive regimes, fascist leaders, and bigoted politicians from around the world, I thought it lacked nuance and was just force feeding us the analysis instead of letting the reader do any independent thinking or analogizing.  This, plus it used a literary tool in which the same words or short phrase was repeated over and over again--so much so that it became an irritant. This may not have been so aggravating in a paper book where your eyes could skip over the 2 minutes of repetition, but in an audio book, it was just distracting and it was so many times. It felt gimmicky, even if it was obviously being done to make a point.  The point was just too obvious.
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Not recommended.

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I feel pretty terrible about this review. In a time when I think it is particularly important for us to reflect on the Holocaust, the violence of othering, and the horrors of ghettos and "camps" and determining human survival based on the official papers you carry, I am very sorry to report that this WWII book about all these topics is not to be recommended by me.  WWII historical fiction is usually a pretty easy sell for me, so this is almost certainly not why I didn't like it.

It started weird. This is because the story takes place in two time periods, while also telling a fictional vampire horror story that one of the characters wrote.  But you do not discover that is what is happening until really far into the book and it makes for a very confusing read.  And it felt almost like the author was deliberately trying to make it confusing.  Maybe she thought it would build up like a mystery and, to a large extent, I would call it a mystery, but it felt forced and unnecessary.  Yet, if you ignore the bizarre allegory vampire storyline distraction at the beginning, I found the book interesting enough at first and quite enjoyed the early character development that was mired in intrigue.

But even setting aside that problem, it just became more and more complicated as it jumped back and forth between narrators and time periods and between the actual story and the story-within-the-story.  I love a complex plot that makes me pay attention, but I kept thinking that this was a plot strategy meant to hide the ball.  And indeed, there were pieces of the story that were obviously being withheld--huge pieces of the story, like why one of the main characters has facial disfigurement from some type of trauma that most everyone in the story seems to know about and is alluded to over and over, but isn't spelled out for the reader until way past the point that I still cared.  It ended up just not being this big deal after all the hype to get to it. And again, I just felt like it was deliberately being done that way despite it not making any sense not to tell the reader.

Perhaps the most prominent reason for my not liking it was the gratuitous, graphic details of the violence that felt added for shock value.  Not that the Holocaust wasn't shocking and I don't disagree that some level of description of the details is appropriate and I don't want to discount that for survivors the horrors went on and on and on, each more horrific than the last.  There was just something about the way it was written that left me feeling like it was another game the author was playing with me as the reader.  I don't know how we learn about the time period without hearing about the details of the violence, but here it was done in a way that as I was reading I was aware that I was reading this book about this horrible thing that was designed to convey to me how horrible it was instead of letting the story unfold naturally.  In the context of the other unusual plotting choices, I just could not get into it.  So much so, that I had to take several breaks from it to read other things before coming back to finish it.

Not recommended.

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​This is not what I was expecting.  Not only was it no what I as expecting, but even when I was well into the story, things would happen that I did not see coming.  Twice in a short period of time, I was out walking and audibly gasp at the unexpected turn of events. It wasn't that I didn't find the story plausible, because once it happened, it was obvious that it could have happened that way, but I was just so surprised and I cared so much about the story and he characters.

The "women" here are the women who joined the military as nurses and were deployed into combat hospitals during the Vietnam War. From deciding to enlist to deployment to coming home to the many twists and turns of life after that, I loved everything about this story.  The complicated relationships, the struggles, the trauma, the recovery, the heartaches, and the way she writes about the constant, crushing sexism of that era was all so tangible, so well conveyed.  

I didn't realize this was the same author who wrote The Nightingale, which is an absolute all time favorite of mine.  If you loved one of those, I think you would love the other, even though they are quite different in nature. The writing is impeccable.  I can't say that I am anything close to an expert on either WWII or the Vietnam War, but I know enough to have been impressed by the amount of research that had to have gone into the books.  I'm focused on my 50 bookish friends list, but I loved this book enough that I contemplated diverting from the list to read more of her books.

When the book was over, I left wishing there was more.  Not an epilogue -- I didn't think that was warranted, but more of the details of the story along the way because the storytelling was just so good. The depiction of the friendships that weave through the book were so vivid and impressive.  I loved the ending.  I love the middle parts.  I loved the twists and turns and the heartbreaks and most of all I loved the women in the story.
 
Highly recommend.  
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This is a post-apocalyptic story from the genre I like to call Depressing AF Futures.  Like Station Eleven, Blindness, How High We Go In The Dark, and The Earth Abides, this book is bleak.  It was definitely well written.  The characters had depth and I loved their complexity and growth, but the storyline just brought one heartbreak after another.  It was another reminder that I don't want to stick around to see everyone I love die and everything I care about disappear.  I found my outlook on life to be significantly impaired while reading the book, unable to completely shake it from my mind.  Unlike Station Eleven, with its sudden world demise, this is a gradual fall into a post-civilization world where only the most hardened survivalists exist. It felt like it could really happen.  Being on the west coast, where one of the characters flees to while the protagonist stays behind in Florida, which is the first to succumb to the irredeemable changes in climate, it felt like this could be happening right now or next week anyhow, that this next hurricane season happens in the opening of the book.  The loneliness of the book, from its very beginning, is haunting.  Well written, I had a hard time putting it aside and yet I cannot say that I enjoyed it or was glad I read it.

​Not recommended.

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