This is a sequel to My Name is Lucy Burton, which I read as part of my 2017 reading challenge. That was a year when I had categories of books that I was reading from and I can't remember which category this fulfilled.  I had trouble finding books to fill those lists the few years that I did that and started asking for recommendations, which is how I ended up ditching that list and just taking recommendations for my yearly booklist. 
In any event, I did not write reviews back then, so I decided to reread My Name Is Lucy Barton after reading the first chapter of this book in order to remember the backstory.  In retrospect, this wasn't necessary to appreciate this story, but it did help connect many of the relationships in the book.
​
And there are a lot of relationships in this book.  There are a ton of characters and the history between them is complicated. I often felt like I do when I visit friends in a close-knit community or try to join a new group of people who have been tight for a long time.  There are all these backstories that touch on each other and it is hard to keep up with how they all touch on each other.  This makes the details of the book hard to keep track of and sometimes I would be well into a new storyline before I realized these were the same people from another storyline. In many ways, this is the magic of this series. It really makes you feel what Lucy Barton's small town life with judgy, hurtful people was like--and not just for her.  Those who bullied her, those who were indifferent to her, and those who saw and helped her in big and small ways are all portrayed sometimes in sympathetic ways, sometimes not, and most often in both ways at the same time. 

There is so much depth here, so much hurt. Child sex abuse and sexual assault play prominent roles as they play out in families and relationships in ways that fill in the backstory for many characters. It is the story of kids who were bullied and kids who did the bullying and kids who were both bullied and did the bullying and how this plays out in their adult lives.  The emotion of childhood trauma, indeed sometimes of torture, is on painful display here--told with a perspective that conveys deep empathy for the damage done and the damage done to the people caused the damage.  It is heart-wrenching the whole way.

Recommend.

Click here to purchase this book and support My 50 Bookish Friends blog project.

Set mostly in Edinburgh, this is a layered book with a multi-generational story that unfolds when the mental health facility where Esme has been living for decades is being closed.  Her great-niece, who was oblivious to her existence, is the next-of-kin contacted and the story to understand Esme's -- and by extension the whole family's--life history unfolds.  With themes addressing intergenerational family dysfunction and the control of rebellious women, I found the book engaging and charming.

Recommend.
​
Click here to purchase this book and support My 50 Bookish Friends blog project.

Written in 2015, I couldn't remember if I had read this years ago when it was released or if I had just heard about it and read excerpts, so I dug in and read it in its entirety and it holds up.  In fact, almost all of the main topics covered in this book about living beyond the gender binary and heteronormativity to which our systemic structures are beholden could have been written today.  These topics were not new in 2015, but this book was written at a time when the emerging, radical ideas from the era that preceded it had been academicalized and solidified with enduring language and a coherent world view that has stuck. 

This memoir is steeped in Queer theory and is well worth a read.

Recommend.

Click here to purchase this book and support My 50 Bookish Friends blog project.

I did not even know there was a genre of literature called "feminist horror."  I am not a horror fan, despite there being quire a number of horror books recommended to me this year, so I came into this read more than a bit skeptical and a little worried about how it would impact me.  This book was nothing like what I was expecting.  It was actually just kind of awesome.  A murder mystery within a murder mystery, I found the supernatural twists to be fun in a dark kind of way and its fast pace, quirky characters, and unusual fantasy world where the "normal" rules for ghosts/monsters don't apply to be captivating.  Add in the pay-back for intimate violence themes that resonates with many survivors of sexual assault and domestic violence, and I was hooked. 

This recommendation might be the epitome of why I really enjoy this project because I absolutely never would have read this book but for the fact that I read every book on this list every year.  I was sure this would fall into the category of "I love to hate a book almost as much as I love to love to book," ultimately the best part of this project is when I love a book I was sure I was going to hate. And that is what happened here.

Recommend.

Lick ​here  to purchase this book and support My 50 Bookish Friends blog project.

This is a series of essays written loosely written around the concept of her experiences with her body, exploring disability, cancer, pregnancy, mothering, and autonomy. There is a lot to like here. Her discussion of using a wheelchair as a child and how this impacted her relationships with peers and others was insightful and provided a unique perspective.  The author is Irish, which put her discussion about choice and control over reproductive decisions in the context of the 12 women a day who, on average, left Ireland to terminate a pregnancy until abortion was finally legalized in 2019. This part of the book I found particularly interesting and covered topics that are not typically part of the American dialogue.

I found the first essays to be the best, with some of the later ones becoming a somewhat repetitive, which is I think a common flaw in essay collections that I wish editors would deal with before they release a compilation like this.  I would have recommended the book, but this dwindling of quality by the end had me finishing the book with much less enthusiasm than I had up until the somewhere in the middle and also a little bored.
Not not recommended. 

Click here to purchase this book and support My 50 Bookish Friends blog project.

In many ways this is a traditional masculine war novel. It is set in Leningrad during World War II, but I am not sure that I got the sense that the narrative was true to that era.  To be fair, I know very little about the Russian front in WWII, but there was something about significant pieces of the plot that seemed unlikely to be true and to a large extent it felt like another example of "historical fiction" that imports model progressive values into historical scenarios that I am not at all sure that people experienced at the time and that just feels like a erasure of actual historical experiences. 

​Here, it is a young woman posing as a boy and a Jewish boy pretending to be a soldier, both "hiding in plain sight," who just happen to come into contact again and again by people who step up to protect him that felt too much like a story about how many saviors there were in a time and place where we know that these types of heroes were few and far between.  The chances that they would come into contact with this many just ignores how unusual that probably would have been. And there were just so many little examples of this, like the way sex workers are treated with so much respect and compassion by the protagonist solider and his friend also felt so unlikely that I couldn't get into the story. There was something not just about the substance of these interactions, but the voice that just did not feel congruent with other writing from and about that era that I spent the entire book thinking about whether the book was researched and historical accurate and not about the actual story itself.  I found it distracting for this reason and just couldn't get into it. 

Not recommended.
​
Click here to purchase this book and support My 50 Bookish Friends blog project.

For a highly hyped book with rave reviews, I was shocked by how little I enjoyed this read.  I even went back and re-read The Adventures of Huckleberry Finn thinking maybe I needed a more recent read of that book in order to appreciate it, but even after that, I was at a complete loss as to why this book is so popular.  The premise of the book is fine--the reimaging of the Huckleberry Finn story from the perspective of Jim.  But the execution of the story is confusing.  The plotting is problematic, the character development bland, and the writing style gimmicky. 

Just as a starting place, it is unclear whether this is supposed to be historical fiction or historical fantasy.  Most of the time, it seems like the author is genuinely trying to present an imagined history in which a slave could be exceptionally well educated entirely in secret and able to move between a facade of being uneducated in front of white people, but then seamlessly shifting to talking like an educated white person when no white people were around. While this seems like it might be an empowering retelling of history, I was just baffled because in other places the story was so far fetched, especially at the end, that it was more like historical fantasy.  And there was no way for me to see that ending as empowering, knowing the impact that outcome would have had in actual history for the slaves involved.

While this might just be my inability to suspend disbelief in order to enjoy a book and revel in an alternative narrative that could be seen as having a happy ending (and I will accept that this is perhaps a flaw in my reader skillset in general), this wasn't even what bothered me the most in this story.  What bothered me the very most was the portrayal of women and girls in this story.  Jim is supposed to be entirely driven by his adoration of his wife and daughter, but the Big Reveal at the end of the book  MAKES NO SENSE on the surface and was never explored in any depth.  SPOILER ALERT: In the telling of this story, he is actually Huck's biological father because he had a relationship with his mother, whom he grew up with, and which was always kept secret. Despite allusion to this by one random character earlier in the book, it is ignored until the very end and then never explained.  Was the wife that Jim was so committed to freeing aware he had a clandestine affair with his childhood friend, who was also his owner's wife? If his daughter was 9 and Huck was 13 and Huck remembers the fighting in the household when his mother died, was Jim in a relationship with both mother's at the same time? Obviously possible, but why is this never addressed? 

I have so many questions that are completely ignored because the sole purpose of women characters in this book is to be introduced in the context of their rapes.  Jim's reaction to Sammy's disclosure that she was being raped by her owner only makes sense in a modern context.  It is impossible for me to believe that Jim would have been shocked to hear that slave owners raped their slaves and his huge reaction to this revelation, resulting in reckless behavior that put at risk his ability to free his own wife and daughter, whom he was afraid were being raped, just didn't make sense. Could it have made sense?  Yes, it is possible, but it was never explored.  All the women were introduced in the context of their rapes (or sexual relationship with Jim, such as his wife and Huck's mother) and then written out of the story before anything of interest was said.

Do not recommend.
​
Click here to purchase this book and support My 50 Bookish Friends blog project.

This is another of the genre of historical fictions where the author finds an offhanded reference to a minor historical figure and then builds an entire imagined story around very little actual historical information---similar to what was done in Where The World Ends, which I also just read in preparation for my trip to Scotland.  This one is about an English woman who moves to the Scottish Highlands after the woman who raised her was killed for being a witch.  Corrag leaves her home and builds a new life as an herbalist and medic amongst the Jacobite McDonald clan in the late 1600s in the time leading up to the Glenco murder. 

The book got off to a slow start and I found the style of storytelling to be confusing as it jumped between time periods, but it sorted itself out after a while and came together.  It was reasonably engaging and told a more or less plausible story of an usual life.  It had some Outlander vibes but without the fantasy time travel and sex scenes.  This was a quieter, humbler book about a strong sassencha woman healer in the Highlands leading up to the Jaconite uprising.

Bonus points for mood and scene setting that match the tone needed for a winter trip in Scotland.

Recommend.
​Click here to purchase this book and support My 50 Bookish Friends blog project.

It will come as no surprise that this is not a light read, but this reflection on antisemitism is both interesting and informative. I particularly appreciated how it is gives context to some of the commentary that I commonly hear from Jewish friends and read by Jewish authors. One thing that stood out to me in particular is the way in which many  progressive Pro-Palestine movements' boycotts of Israeli companies is perceived as antisemitic even as many leaders of those boycotts reiterate that they distinguish between the State of Israel and Jewish people.  The explanation in this book is really compelling and also reminds us how close in time we are to the time before the Holocaust when Germans were encouraged not to buy from Jewish stores. Her writing is both so well researched and so emotionally compelling that I found myself leaving each section with more compassion for and understanding of why somethings are perceived as antisemitic even when non-Jews might resist that description. 

It took me a while to finish this book, so was reading it about six weeks ago when the lethal bombing attack at the protest in Boulder occurred and I was impressed by how it shifted how much it impacted how I thought about the aftermath of that incident.  The core idea in the book that hate crimes against Jews are only given attention to the extent that the narrative can be used for a purpose that distracts from the horror of antisemitic violence to the benefit of others played out in real time as I was watching.  Almost as soon as the news broke, the immigrant accused of the bombing was arrested and charged, but rather than using the moment to focus on hate crimes and violence, the federal government arrested and deported his  wife and children, bypassing due process, thus shifting the focus from his Jewish victims and instead to using the event for political gain just in exactly the manner the book describes.  You have to love when a book provides such relevant insight and analysis even it was published a few years ago.

Recommend.

Click here to purchase this book and support My 50 Bookish Friends blog project.

This book has a combination of things I usually do not like. 
 
First, I am not a fan at all of the social media influencer memoir.  I think somewhere fairly early in the pandemic, I overdosed on crappy ones that I got for free or that were recommended to me and I have not gotten over that.  They tend to have a number of features I do not like, such as referring back to what they posted, quoting those posts, and bragging about how early an adopter they were of a specific platform and how the fame they got and the money they made from said platform saved or ruined (or both) their lives. Many of these books are often compilations of blog posts that do not transcend mediums well when they get put into a book without a good editor. They are often repetitive in a way that reminds me of people who just tell the same few stories over and over again. 
 
Second, I tend not to love the writings of standup comics, especially ones who have a chaotic style of raunchy standup. I can take that in very small doses, but an entire 8 hour book is just too much.  The writing here felt a bit like Jenny Lawson (Let's Pretend This Never Happened), which I kind of just despised. 
 
Third, I usually do not like books read by the author. I often think they should have hired a professional with a voice I actually want to listen to, which I know might sound harsh, but I really love a good narrator and one way to tell a really good narrator is when you speed it up (which I virtually always do), you can still understand them clearly and their voice still conveys the emotion. This is not true of mediocre narrators and author are usually mediocre or worse, in my opinion.
 
While there were spots where she fell into the annoying "this is what I posted when I was an early adopter of instagram" context, it was short-lived.  She definitely had places that were slightly repetitive and other places where she went on too long about details that felt show-off-y to me without advancing the story which caused the narrative to lag a little. It felt like she really needed a more heavy handed editor.
 
That said, this book was, for the most part, an outlier on all fronts. It is very difficult to write trauma comedy, either for stand-up or in book form, and this is really trauma comedy at its best.  The places where she veers away from the style are the places that should have been cut. I particularly loved how she situated her complex relationship between humor and tragedy in the context of her cultural and familiar history. The intergenerational way in which her family used humor and laughter to survivor horrible things was so richly described here. She didn't have to directly talk about "rape jokes" to be talking about rape jokes told by survivors in her family.  It wasn't just that she decided one day to make comedy about trauma, she explains how this was passed down as a way to survive. I found it insightful, poignant, and (yes, even) funny. Through the bets parts, I found myself on the verge of both laughing and crying and in a place of acceptance that this was ok and maybe could even be healing  It reminded me of Hannah Gadsby in this respect.
 
Recommend. But maybe skim through the parts in the middle about buying the expensive purses and the celebrity name dropping parts.
​
Click here to purchase this book and support My 50 Bookish Friends blog project.