I understand that this nearly 1,000 page book is revered as brilliant and that the author has received the Nobel Prize for Literature for another novel.  I know that many intelligent people think the book is amazing. I, however, feel like it was pretty much lost on me.  I found it a slog, pedantic, male-centric, and frankly boring.  Yes, some of the historical pieces were mildly interesting, but I have decided that I do not find 18th century Poland particularly enthralling.  Sometimes, it felt like the descriptions would never end and that the plot was a very long ways away from the words I was reading.  Other times, some of the narrative would pull me in, particularly the portions that compared the Jewish protagonist's exploration of other communities. But, those parts were short lived and almost as soon as I realized I was engaged, the moment would be gone and I would return to feeling that this book was just too heady for me.


Do not recommend.

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This is a fabulous murder mystery that I can't stop thinking about.  It is so well written, the characters are so richly developed, and the plot is delightfully complicated that I am seriously contemplating reading it a second time.  Set across time from 1961 to 1975 as they investigate an old murder and a new disappearance, the complexity of interpersonal dynamics and histories just pulled me in, all the time being filled with red herrings and twists, as the investigation proceeds. The standout character is the young woman detective no one takes seriously and the ending just reinforced how much I loved her.  I found the portrayal of sexism and elitism to be well portrayed, ever present, without having it be the sole focus of the story--reminding me of how even during my younger years it was so pervasive we often accepted it without noticing at all. Did I mention the ending of this book was so good? So often these complex stories have predictable, unrealistic, or just stupid endings that don't hold together, but this one was right on point.
Highly recommend.

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I am so enthralled with the very concept of this book in which the author uses her obsession with sea creatures as the basis of these fabulous life stories that use the sea creatures as complex allegories for her life. Even the title, referring to the point in an ocean where the light can no longer penetrate, relates to moments in her life.  As a memoir, it is insightful and tells the story of a unique life of Queerness and mixed-race identity.

I particularly appreciated how the author's experience of trauma and sexual assault were presented in such an unusual and poignant way.  All of this was done in the midst of providing rich details about marine ecosystems and creatures, some of which (like the octopus), we often hear about in other contexts, but some  of which I knew nothing about and found fascinating.  This is just such an unusual set-up and read. 

I highly recommend it.

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Another post-apocalyptic novel, which really seems to be disproportionately recommended in recent times, this one was extremely graphic in depicting gratuitous violence. This was oddly juxtaposed against explicit descriptions of sexual encounters.  I was disappointed that I did not like it more since the premise of the futuristic world felt well thought out and plausible, though incredibly depressing. 

Set in the dessert of the American southwest, the complicated backstory includes litigation over water rights, complicated interpersonal dynamics, lots of characters with compelling and believable backstories, and  a nuanced world created with attention to details that I really liked.  Ultimately, while there was a lot to like in the story, I really disliked the violence, which I did not think was needed to advance the story and which reflected a deterioration of human decency at a level that was just too dark for me.  I found that I couldn't listen to this unless I was in the right frame of mind and definitely not before bed.  

Not recommended.
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I am less and less a fan of this newly popular genre in which an author selects a person in history about which there is a small amount of historical data and then builds an entirely fictional world around the their life to tell a story.  I really started to notice this trend with The Personal Librarian, which I quite enjoyed.  However, in that case, I knew absolutely nothing about Bella de Costa Greene, who was JP Morgan's personal librarian.  In this case, though, the author writes an entirely fictitous account of Martha Ballard's life.  Ballard was an 18th century American midwife who recorded her life in a personal journal that was published in the 1990s, called A Midwife's Tale.  I read the book in college and it certainly stuck with me all these many years later. 
When I read a 50 Bookish Friends recommendation, I do no research ahead of time. I don't read the book jacket or a summary of the story  I love that when I start the book, I have no idea what I am getting into.  It could be a self-help book, a political memoir, science fiction, or truly anything.  I don't even check to see if it is fiction or non-fiction, although sometimes once I am into it a ways, I do check this much.  In this case, though, as I was reading along, I thought the story sounded really familiar and when her name was used, I was certain that I had read the book before, even though it came out in 2023 and there was no way I had read it that recently. 

Turned out, though, that I did remember Martha Ballard by name and her story, but this book was not her story. I found the fictionalize version completely unbelievable.  I'm not an expert on that era by any stretch of the imagination, but I found the storyline completely implausible.  In many of these highly fictionalized accounts of historical events, I think there has been too much insertion of modern ideas that are more a reflection of our current thinking than of anything that could be consistent with the historical record.  I found this a huge distraction and I just could not get into the story at all~~ in large part because I knew that none of the story was in the diary and that we don’t have any other information about Ballard. The rest of the story was just too convenient, too much like how we wished things could have been for a spirited, intelligent woman.  I probably would have liked it more if she had changed the names and just said that she based it on historical records, including A Midwife's Tale.

Do not recommend.

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I feel pretty terrible about this review. In a time when I think it is particularly important for us to reflect on the Holocaust, the violence of othering, and the horrors of ghettos and "camps" and determining human survival based on the official papers you carry, I am very sorry to report that this WWII book about all these topics is not to be recommended by me.  WWII historical fiction is usually a pretty easy sell for me, so this is almost certainly not why I didn't like it.

It started weird. This is because the story takes place in two time periods, while also telling a fictional vampire horror story that one of the characters wrote.  But you do not discover that is what is happening until really far into the book and it makes for a very confusing read.  And it felt almost like the author was deliberately trying to make it confusing.  Maybe she thought it would build up like a mystery and, to a large extent, I would call it a mystery, but it felt forced and unnecessary.  Yet, if you ignore the bizarre allegory vampire storyline distraction at the beginning, I found the book interesting enough at first and quite enjoyed the early character development that was mired in intrigue.

But even setting aside that problem, it just became more and more complicated as it jumped back and forth between narrators and time periods and between the actual story and the story-within-the-story.  I love a complex plot that makes me pay attention, but I kept thinking that this was a plot strategy meant to hide the ball.  And indeed, there were pieces of the story that were obviously being withheld--huge pieces of the story, like why one of the main characters has facial disfigurement from some type of trauma that most everyone in the story seems to know about and is alluded to over and over, but isn't spelled out for the reader until way past the point that I still cared.  It ended up just not being this big deal after all the hype to get to it. And again, I just felt like it was deliberately being done that way despite it not making any sense not to tell the reader.

Perhaps the most prominent reason for my not liking it was the gratuitous, graphic details of the violence that felt added for shock value.  Not that the Holocaust wasn't shocking and I don't disagree that some level of description of the details is appropriate and I don't want to discount that for survivors the horrors went on and on and on, each more horrific than the last.  There was just something about the way it was written that left me feeling like it was another game the author was playing with me as the reader.  I don't know how we learn about the time period without hearing about the details of the violence, but here it was done in a way that as I was reading I was aware that I was reading this book about this horrible thing that was designed to convey to me how horrible it was instead of letting the story unfold naturally.  In the context of the other unusual plotting choices, I just could not get into it.  So much so, that I had to take several breaks from it to read other things before coming back to finish it.

Not recommended.

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Other than the writing of this book being above average, I basically have nothing nice to say about this story.  It is steeped in rape culture and sexual terrorism--the entire backdrop of the story is about missing young girls, abducted from their community, with the message being that the only way they can keep themselves safe is by staying home or being under the protection of the men in their lives.  As if that wasn't bad enough, [SPOILER ALERT: STOP READING HERE] it add in the wrongful conviction of a gay doctor who was actually trying to help young girls.  A young boy who saves one girls from kidnapping goes on a lifelong quest to find and save other missing girls that is self-destructive, obsessive, and downright weird. 

It is a complicated murder mystery, with so much many misogynistic themes and general themes that even the twist ending that plays with the idea that it wasn't what it seemed the whole time wasn't anywhere near enough to save it.  I guess if you like a book about a serial kidnapper who evades capture amidst an unrealistic plotline that is hard to stay engaged with and follow, while also being unnecessarily shocking, then you might enjoy this read.  It was not, however, for me.

Not recommended.
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I typically do not love a graphic memoir by a celebrity that drops a lot of names and has that "tell all" sensationalist vibe.  That is especially true for celebrities who it is obvious are financially struggling and the books feels like a way to help them maintain their celebrity lifestyle instead of doing something akin to regular work.  This book had all of that feel to it.  But, I have to say that I was indeed significantly invested in his story as he described the abuse and neglect he experienced while being a child actor in Hollywood.  The sex abuse, his mother's addiction issues, and his father's exploitation of his career were heartbreaking.  His own use of drugs to manage the abuse he encountered was unsurprising and the train wreck was hard to turn away from.  I was surprised that the book is now more than a decade old.  His defense of Michael Jackson, although softer than his initial support of him in the wake of the initial waves of allegations of abuse, are still heartbreaking.  His portrayal of Corey Haim was similarly heartbreaking.  All of this was long before #metoo, but nevertheless a precursor to the harsh, harsh world of child entertainers.  

​Not not recommended.

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One of the best memoirs about grooming I have ever read, and I have read a lot of them.  Because Wood is a writer, was one in high school, and her abuser was her English teacher, she write detailed contemporaneous journals and letters at the encouragement of the teacher and which he kept.  When she left him, she took them. The result of this is that her depiction of the dynamics of that relationship are painfully vivid and provide insight and understanding about how she experienced the world and saw herself during the time she was his target. It is jarring, to put it mildly.  It is widely know that Lolita has been a handbook for pedophiles for the 70 years since it was published.  I know countless women whose abusers used the techniques in the book to replicate the control that Humbert Humbert had over Lolita.  What is unique about this story is how the teacher tried to get her to read the book and constantly compared them to the "couple" in the book, as if that relationship was something to aspire to.  It is powerfully written, providing insight not only for those who have had similar experiences, but for those who could benefit from some insight into this type of emotional abuse.  I feel confident in saying that if you have not lived through it, this is one of the most accurate depictions of the experience.  I really cannot recommend it enough.  This book just has not gotten enough attention, probably because it is an intense and painful read, but it is one of the best books on child abuse out there.

​Highly recommend.

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