A friend of mine recently asked me for a list of books I read as a teenager that I would recommend.  She had a list, of which I had only read two and neither of those would make my list.  But, I thought I would put my list here, so here it is.

Books from my teenaged years that I love to revisit:
1. I Know Why The Caged Bird Sings (Maya Angelou)
2. Oranges Are Not The Only Fruit (Janette Winterston)
3. The Joy Luck Club (Amy Tan)
4. The Color Purple (Alice Walker)
5. I Never Promised You A Rose Garden (Hannah Green)
6. A Brief History of Time (Stephen Hawkings)
7. Delores Claiborne (Stephen King)
8. The World According To Garp (John Irving)
9. The Bean Trees (Barbara Kingsolver)
10. Anne of Green Gables (L. M. Montgomery)

This was an incredibly painful book to read about the author's struggle with is son's addiction. 
How many rock bottoms can one family survive?  The writing is elegant and the author's love for his child permeates every word as he begins his decent into addiction, struggling with recovery and relapse. The book is a heartache from beginning to end, told from the perspective of a parent desperate to help, but powerless over their child's choices, but also over his own drive to provide comfort and protection for an addict caught in the narcissism and criminality of active addiction. Prepare to have your heart broken, over and over, and make sure you have the pace to reflect on everyone you ever loved who has known addiction. 

I also want to point out that this book also alludes to the unpopular and often ignored topic of how bad parenting plans impact the children who have to live them out--a very real reminder for separated parents and the professionals so write those plans for them.

Recommend.
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I somehow missed that there was not just one, but two new Hunger Games books and a new movie since I last visited this series.  What a treat it is to read a series where the books hold up on their own and don't invite a cliffhanger so you have to get the next book to feel a sense of closure.  Both of these books, which are prequels to the original trilogy, were really well down and worth reading.  I love that we aren't spoon fed the analogies to modern politics, but the complexity of the relevance is nevertheless there.  

Highly recommend both of these.

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I was a little nervous to start reading a Stephen King book. I am not a fan of horror, so have always shied away from his books, despite Delores Clayborn being one of my all-time favorite reads and having liked Eyes of The Dragon a few years ago.  I was therefore pleasantly surprised by the first part of this book, which is the set up for the actual adventure that comes fairly deep into the book.  This set-up portion of the book is exquisitely written, developing characters with depth, describing their friendships and interactions with so much detail and nuance that I was really sucked into the story before any of the fantasy part even started.

Unfortunately, once the actual adventure story starts, the narration lost me.  This was in large part because of the way in which the narrator describes the many people he encounters who have disabilities or disfigurements.  From blind and Deafness, to Dwarfism, to many others, the ableism and stereotypes that he employs in his descriptions of these characters shows such a lack of understanding of what it is to live with a disability that I could not suspend my disbelief and judgment.  He spends an exorbitant amount of time comparing and ranking their conditions, while at the same time saying things like: "Dissing disabled people is crap behavior even if they are an asshole."  As if having a a disability means that you should be coddled and pitied and given a pass for being a terrible human being.    As if that attitude is respectful of people with disabilities instead of a reflect of their dehumanization and othering.  

​Not recommended.

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An elaborate modernization of Animal Farm, this book creates a world of sentient, talking animals in a fictionized African country as it flows from being colonized to an oppressive regime to complete chaos after the dictator is driven out. I think it is technically supposed to be an allegory, but it just feel too obvious, with the parallels too similar to the current world.  With situations and even language that clearly is lifted from real life current oppressive regimes, fascist leaders, and bigoted politicians from around the world, I thought it lacked nuance and was just force feeding us the analysis instead of letting the reader do any independent thinking or analogizing.  This, plus it used a literary tool in which the same words or short phrase was repeated over and over again--so much so that it became an irritant. This may not have been so aggravating in a paper book where your eyes could skip over the 2 minutes of repetition, but in an audio book, it was just distracting and it was so many times. It felt gimmicky, even if it was obviously being done to make a point.  The point was just too obvious.
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Not recommended.

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This is a lovely short book that follows up on the author's wildly successful book, Braiding Sweetgrass.  I have heard the criticism that despite the
indigenousness of the author that the books are written for a white audience and this may be true, but as the white audience I have to say that I loved both of them.  This one in particular talks about an ecology economy and the meaningfulness of a gift economy and of investing in community.  Whether this is because you want the benefits that come from gifting, in terms of the emotional connections, the furthering of your values, or even indirect marketing of your business, an economy that incorporates gift giving and receiving should not be underestimated. 
There were a couple of themes that particularly resonated for me.  First, wealth is not what you have, but what you give away and, second, if there isn't enough of what you want, then want something else.  Aren’t those just lovely ideas that you want to file away and remember? 

Recommend.

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This was the perfect book to fall asleep listening to. It wasn't so much that it was boring, as that the cadence of the narration is very soothing.  The author employs a writing technique in which he makes long lists of things, often the latin names for plants or animals, that might interest the hardcore biologist and botanist enthusiasts, but I found lulled me to sleep, like a lullaby.  In fact, I would listen to the same chapter several nights in a row, having not made it to the end of even one chapter before I drifted off to sleep.  I would like to say that the book was light and pleasant, as he describes at length the natural spaces that he is so drawn to--and there is something compelling about how much he loves these spaces and wants to make sure they are preserved--and yet the racism of 1901 finds its way into a world it has no business being.  This is in addition to the complete exclusion of women from the narrative in any meaningful way.  All said, I just can't recommend it.

​Not recommended.

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Another post-apocalyptic novel, which really seems to be disproportionately recommended in recent times, this one was extremely graphic in depicting gratuitous violence. This was oddly juxtaposed against explicit descriptions of sexual encounters.  I was disappointed that I did not like it more since the premise of the futuristic world felt well thought out and plausible, though incredibly depressing. 

Set in the dessert of the American southwest, the complicated backstory includes litigation over water rights, complicated interpersonal dynamics, lots of characters with compelling and believable backstories, and  a nuanced world created with attention to details that I really liked.  Ultimately, while there was a lot to like in the story, I really disliked the violence, which I did not think was needed to advance the story and which reflected a deterioration of human decency at a level that was just too dark for me.  I found that I couldn't listen to this unless I was in the right frame of mind and definitely not before bed.  

Not recommended.
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I just can't with these fantastical fantasy  books that so many people I really like just love.  This bizarre story of a world sort of like ours but not really was just weird.  It felt unnecessarily complicated, as if unexpected and impossible things were just added to the story for no real reason.  Similar to other books I have hated, like Going Postal, Piranesi, Cloud Cuckoo Land, and  Small Gods, there just wasn't anything here that called to me or drew me in.  I just could not suspend disbelief, get invested in the characters, or care about what happened.  I had a hard time even paying attention for a lot of it, even though I was traveling and thus had more mental bandwidth available to focus on the storyline.

Do not recommend.

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It took a long time for this book to warm up for me. Having read  a good bit about the experience of women in Iran under the Shah and the Ayatollah, I thought the story was going to be a fairly superficial account of the regression of an entire country--the relevance of which is not lost on me at this moment in time, but also not something I felt like I being preached to about. 

However, it turned out that this was just the backdrop of the actual story, which took a long time to be developed in the narrative, but the story itself was actually so much richer and more complex than this initial scene setting let on.  It is at its root the story of a lifelong, imperfect friendship, of the waxing and waning of closeness, of hurting people because you are young or immature or weaker than you wish you were, and of longing to return to easier times. It is a story of the cost of being called to activism and a story of staying to fight and fleeing to survive in times of political turmoil and in the face of oppressive state violence.  I loved the complex themes of redemption, connection, and reconnection and I always love a complex story about friendships, which this one is.
Recommend.
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